The Art of Production Bring Many Men Under the Control of the Few

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If yous've always taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "divers" their mediums. Equally with other subjects, virtually of what we learn near art history today still centers on white men from Europe and, later, the United States. In reality, at that place are then many more than artists of all genders to larn from and capeesh.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its nearly unsung heroes, these women artists all had a hand — and, in some cases, still accept a mitt — in irresolute the earth of fine fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Later on studying the piece of work of painters similar Cézanne and Monet while away, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman's Untitled Film Stills (1977–fourscore). series. Photos Courtesy: Museum of Modern Fine art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is possibly most well known for her series of Untitled Motion picture Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and commonage identities.

Yoko Ono

A yet from the performance Cut Slice, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Y'all might first remember of Yoko Ono as a musician and activist, merely she's too an accomplished performance and conceptual artist. Ono was considered a pioneer in the operation art move, earning the nickname the "Loftier Priestess of the Happening".

I of her about revered works, Cutting Piece, was a performance she first staged in Nihon; Ono saturday on phase in a nice suit and placed pair of scissors in forepart of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting away pieces of her article of clothing. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'south Black Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking constituent inverse her entire career trajectory — and, in plow, office of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you lot tin can get the viewer to look at a piece of work of art, then y'all might be able to requite them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'due south rare to notice someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo oftentimes used bold, vivid colors to create her symbol-rich works, and was regarded equally i of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, just she'south besides known for her hyper-real sculptures, polka dots, installations, and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Old First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, ofttimes doing everyday activities — something that became more than mutual in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian'south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Serial Cherry-red With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, yous likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, but peradventure, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilt Lion for best creative person in Okwui Enwezor's biennial exhibition All the World's Futures, role of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to face up truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economical grade, and gender — all while dressed as a Blackness man with a imitation mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in forepart of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, pic, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action as meditations on diverse concepts, such as trauma, knowledge, and hope. One of her more than notable works, I Odour Y'all On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore'south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Equally an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the first Indigenous adult female to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is improve known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art motion. Every bit exemplified in her iconic work The Dinner Party, her installation pieces oft examine the role of women in history and culture — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Vicious

Augusta Vicious with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Eatables

Augusta Roughshod was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, frequently of Black folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the showtime Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Only look up her most famous work, Interior Roll, and you'll see what we hateful.) She used her body to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal lodge.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City's queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went past her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'southward last public committee was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a mode that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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